Method · Speculative Systems
Worldbuilding as Risk Management
Why we put novelists in the same room as the risk committee.
Risk registers are good at the risks you already know to name. They are useless against the ones that arrive through the side door — the second-order consequences, the cultural shifts, the failure modes that only become obvious once you've lived inside the world that produced them.
Fiction is a tool for living inside a world before it exists. A well-built scenario forces specifics: not 'AI changes hiring' but a particular Tuesday in a particular office where a particular person loses a particular thing. Those specifics are where the real risks and opportunities hide, and they are exactly what a spreadsheet abstracts away.
So we put worldbuilders and analysts in the same room. The analysts keep the worlds honest; the worldbuilders keep the analysis from flinching away from the uncomfortable specifics. The output isn't a story for its own sake — it's a richer, more inhabitable map of what could go wrong and right, which is what risk management was always supposed to produce.